A SERBIAN FILM: Combating the Horror of Fascism With Extreme Cinema

Some films are so disgusting, repellent, ugly, violent, prurient, and awful that audiences are unable to define them. Films like Pier Paolo Pasolini’s SALÒ, OR THE 120 DAYS OF SODOM, Lars Von Trier’s ANTICHRIST, Gaspar Noë’s IRREVERSIBLE, Ruggero Deodato’s CANNIBAL HOLOCAUST, Takashi Miike’s ICHI THE KILLER, Tom Six’s THE HUMAN CENTIPEDE trilogy, or even John […]